This film is an homage to the French film author Jean-Luc Godard and his unique use of audiovisual abstraction in order to create a highly affective reaction in the viewer. By investigating Godard’s filmic handwriting in the interplay of color, music, and the spoken and written word, »HOMMAGE« studies the expressive potential of camera-aware filmic portraits as they can be experienced in three of Godard’s early movies: Le Mépris (1963), Alphaville (1965) and La Chinoise (1967).

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